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Ute Gfrerer is an internationally acclaimed singer and interpreter, with a varied repertoire ranging from classical opera, operetta and song to 20th century masterpieces of Kurt Weill and Broadway.


Having studied Voice and Acting in Los Angeles, Ute Gfrerer was employed for many years by opera houses in Germany and Austria (including the Vienna Volksoper) but then pursued a free-lance career to expand her musical career and choices.


She worked with a number of renowned conductors, including Nikolaus Harnoncourt, Franz Welser-Moest, Thomas Hengelbrook, Latham König, Ralf Weikert, Carlos Kalmar, Bertrand de Billy and lngo Metzmacher on concert and opera stages in Zurich, Hamburg, Frankfurt, Munich, London, Tokyo, Amsterdam, Berlin, Lisbon, Salzburg, Bregenz und Vienna.


She also had the opportunity to work with famous acting directors such as Helmuth Lohner, Klaus Maria Brandauer, Werner Schneyder, Jürgen Flimm und Tobias Moretti.


In recent years, the works of Kurt Weill have become a main artistic focus of Ute Gfrerer. Her most influential mentor and collaborator on Weill’s repertoire has been the conductor and composer HK Gruber, with whom she has repeatedly appeared in performances all over Europe. Under his direction she gave her debut as “Anna” in the Weill’s “The Seven Deadly Sins” with the Bavarian Radio Symphony Orchestra in Munich, and has since performed the work with the WDR Symphony Orchestra at Cologne Philharmonic, the Mahler Chamber Orchestra in Harstad (Norway), at the Kurt Weill Festival in Dessau (Germany) and with the Virginia Opera.


In 2010 she was invited as the only non-native performer to sing the role of “Jenny” in a BBC Manchester (UK) radio production of “The Threepenny Opera”. Together with the Ensemble Modern – under the direction of HK Gruber – she toured in Germany, Italy and Greece, singing both roles of “Jenny” and “Polly”. Their most recent performance at the 2015 Salzburg Festival was critically acclaimed and extremely well received.


Apart from the German Weill compositions, Gfrerer is also very interested in his French repertory. She has sung his rarely performed “Marie Galante Suite” with the Orchestra of Brittany in Rennes (France) and with the State Philharmonic in Ludwigshafen (Germany). In Spring 2017 she will record a CD of this composition together with the Ensemble Modern under the direction of HK Gruber.


Having moved to the US a decade ago, Ute Gfrerer has become very interested in Weill’s Broadway compositions, singing e.g. the role of Liza Elliott in “Lady in the Dark” and Venus in a production of “One Touch of Venus” at the Kurt Weill Festival in Dessau in 2010. She has been regularly performing at this annual event and had a great success as “Artist in Residence” in 2012, when she performed 5 different programs during 8 performances in only 2 weeks. On the occasion of the 25th Anniversary of the Kurt Weill Festival in March 2017 she will give several concerts, performing, amongst others, with renowned artists such as James Holmes and Nils Landgren.


Previously, the multi-talented artist could be heard as an interpreter of Mozart (Susanna in “The Marriage of Figaro”, Zerlina and Donna Elvira in “Don Giovanni” or Despina in “Cosi Fan Tutte”). She also performed in numerous Operetta and Musical roles, e.g. Adele in Johann Strauss’ “The Bat” or Eliza Doolittle in “My Fair Lady” and Old Papagena in a production of “The Labyrinth – the second part of the Magic Flute” at the 2012 Salzburg Festival, to name but a few.


More recently, Ute Gfrerer has concentrated on developing her own eclectic concert and cabaret programs, which bring her together with a broad range of artists specializing in different musical styles. These very personal programs also feature her notable acting talent. Titled by critics as a musical chameleon, she impersonates and depicts the life stories of famous divas or gives a riveting account of the fates of Jewish composers and other victims of the Holocaust, who flew from or got killed by the Nazis.


As a concert soloist Ute Gfrerer has performed all over the world, touring all over Europe, the US, Canada, Russia, Georgia, Ukraine, Guatemala, Mexico and Japan.


For a few years now Gfrerer has also been giving master classes in singing and performance at Stanford University, the New England Conservatory in Boston and at the Kurt Weill Festival in Dessau.


DVDs of her performances include operetta’s recorded at the Festival in Moerbisch (Austria) and the “Merry Widow” from Zurich Opera.